I agree. Except, compared to all other living beings, our art is special. Why is that? Why can Bob Ross teach how to capture it, not only on a visual level but on a visceral cathartic level, for painter and observer to intuit and interpret the signal of the majesty of nature, indeed often even framing a specific part of nature in a love letter that can riff on the concept and introduce fantastic concepts that may even refer to and provoke completely novel amalgamations of existing natural phenomenon and depict them fallably while ultimately even through text inspire a view of the majestic we couldn’t without the artist?